Good afternoon. It is I Gigi the parti poodle here to introduce this week’s blog. As you may remember the kidnapper was going to sell “the Persian”, or in other words Demeter, to a buyer on the black market. The other Canis lupus familiaris and Felis catus and I are going over to the house in Ruffle’s owner’s van, and we plan to follow the black-market customers just as soon as—
“I have news.”
“Bernard D. Bunny? What is it?”
“Crispin.”
“Crispin? You mean—”
“Yes. Do you want me to tell them or should I?”
“I shall. Dear reader, the following words I tell you are most chilling. As you may remember from the beginning of this catnapping tale, Bernard had mentioned coyote sightings in our neighborhood and how he had to stay back at his hutch to protect his little sister Belle Bunny. There have been coyotes that come and go but the most disturbing one of them all is Crispin Z. Coyote.
Crispin is a Goliath amongst the Canis latrans. My novelist once witnessed him wolfing down a squirrel from the ears to the tail which dangled out of his mouth momentarily before it was ghoulishly devoured whole. My novelist forced me to go outside continuously with a harness and a leash for a while after that. The monster was also spotted nearby having mangled and munched on a bunny. He is a bloodthirsty beast with neither morals nor mercy.
After my novelist witnessed the terror and spoke to me about the dangers, I had a nightmare about Crispin. I was sleeping quietly, curled up next to my novelist on my soft blanket which I always make into a nest. The blinds were closed and the soft music my novelist likes to play at night had stopped. Suddenly, I heard something. My ears perked up and I listened intensely. Something was moving about in the other room. I did what any respectable poodle would do. I stood on my novelist and began licking her face. “Gigi,” she said. “Go back to sleep. It’s dark outside.” I could not wake her up and I can always wake her up. I heard the noise again. Footsteps…no, paw steps.
I hopped down off the bed and went to investigate. With cautious steps I trotted towards the door to the bathroom. I nudged it with my nose. The door creaked open and I held back nervous as to what I would find inside. I could see the soft glow of the nightlight plugged into the outlet over the sink counter. My ears perked again thinking I heard a low growl. My swift paws stepped back out of the bathroom. I hightailed it back to the bedroom. Blindly, I ran to the bed and flew into the air, sailing and hoping I would land on the mattress. I did…only to find the growling was louder. I ran to my novelist and jumped on her, trying to get her to wake up. “Go back to sleep, Gigi,” she said. “It’s dark outside.
Suddenly, I heard the growling again, closer this time. I turned to look. The bathroom door creaked open and there stood Crispin, his glowing red eyes fixed on me, his jaws salivating. I woke up in a sweat yelping, my novelist gathering me into her arms trying to get me to calm down.
And now it appears he is on the prowl again. But we must rescue Demeter. If she is sold off tonight, we will have no chance of retrieving her and bringing her home. This will not do. We must be brave, even if the evil Crispin is lurking about.
“Shall we tell the others?”
“Yes, let’s go.” Until next week, I bid you adieu.
MY BOOKS
You can check out my books Chicane and all five installments of the Musicology book series Musicology: Volume One, Baby!, Musicology: Volume Two, Kid!, Musicology: Volume Three, Twist!, Musicology: Volume Four, Sweetie! and Musicology: The Epiquad on Amazon in Kindle and Paperback editions. You can also check out Musicology’s web site at www.musicologyrocks.com and vote for who you think will win Musicology!
STREAM OF THE WEEK: ZODIAC (2007)-PARAMOUNT+
The most chilling and terrifying thing about David Fincher’s near masterpiece film is that it was never nominated for a single Oscar. No, instead they decided to nominate such wonderful mediocrity as Michael Clayton and Juno for a bevy of awards including Best Picture. But not one Oscar nod went to Zodiac. Not for Harris Savides’s cinematography, not for Angus Wall’s editing, not for Mark Ruffalo’s supporting performance or Jake Gyllenhaal’s lead performance, not for its brilliant screenplay by James Vanderbilt based on the best-selling book of the same name by Robert Graysmith, nor for Fincher’s flawless direction, and not for Best Picture of the year. This movie is better than any film I saw this past year, even One Battle After Another. If you have seen Zodiac, you know what I’m talking about and if you haven’t, it is absolutely a hands-down must-see experience that will leave an eerie feeling with you long after its credits have rolled.
The story is based on a real life infamous serial killer named “Zodiac” who hunted and killed people during the late 1960’s and 1970’s in the San Francisco Bay Area. He was fond of attention and frequently sent letters with detailed information about the killings to the Bay Area newspapers. Information only the police would know. He took credit for the killings and had a fondness for cryptograms which he included in his letters as well.
One month after the Zodiac Killer murders Darlene Ferrin and seriously wounds Mike Mageau on July 4, 1969, he sends a letter to the San Francisco Chronical. The Zodiac killer insists that his letters including the cryptogram, which he says his name is burried in, be published in the paper. Robert Graysmith (Jake Gyllenhaal), a young political cartoonist for the paper, heads to the library and gathers up books on decoding cryptograms. He is correct in figuring out that even though the Zodiac said his name was in the cryptograms, it was not. Paul Avery (Robert Downey Jr.), a reporter for the Chronical and the other members of the staff think little of Graysmith’s contribution and ignore him. That is until Graysmith and Avery begin discussing the coded letters. The two begin to work together to figure out who the Zodiac is. Graysmith notes that in the letters the Zodiac refers to “the most dangerous animal of them all” which could be a reference to a 1932 film called The Most Dangerous Game in which the lead hunts humans for sport.
In September, the Zodiac strikes again, attacking law student Bryan Hartnell and Cecelia Shepard at Lake Berryessa in Napa County. After two weeks go by, the Zodiac kills again, this time a taxi driver named Paul Stein. San Francisco police inspectors Dave Toschi (Mark Ruffalo) and his partner Bill Armstrong (Anthony Edwards) are assigned to the case. Toschi becomes chief investigator. In 1971 they question a man named Arthur Leigh Allen (John Carroll Lynch), who bears a striking resemblance to the drawings, wears a Zodiac brand watch with the symbol on it that keeps appearing in his letters, and has a history of mental illness.
Chloë Sevigny also stars as Graysmith’s wife Melanie and Brian Cox stars as lawyer Melvin Belli.