Good afternoon. It is I Gigi the parti poodle here to introduce chapter forty-seven of my story Certified Sadistic Accountant. This week was calmer than last. I am looking forward to Halloween. I love to bark at the little munchkins who come to my door asking for treats. Being a Canis lupus familiaris I am aware of the importance of treats. And I sympathize profoundly with those who must dress in absurd clothing and go door to door asking for them. As a poodle I am frequently asked to do tricks for my treats. I find this most vulgar. I either must turn around in a circle or sit up or lie down or shake my novelist’s hand. Dreadful humiliation all of it. I should make my novelist do these inane acts for the treats I give her like keeping her on schedule, complimenting her on her writing, and telling her how to drive. She should demonstrate appreciation for my input. I have no idea where she would be without my suggestions. I will say she does not force me to dress as a hotdog or a ballerina for the upcoming holiday. She knows better than that. Although I am occasionally required to wear a Darth Vader hoodie when we go walking in colder weather. And with that thought, here is chapter forty-seven of Certified Sadistic Accountant. Oidhche Shamhna Shona Dhuit!
Certified Sadistic Accountant
by
Gigi the parti poodle
Chapter Forty-Seven
Lance rang the doorbell. “Cook? Cook? Hey, Cook?”
“We know you’re in there,” Irwin said.
“Why do people say, “I know you’re in there”? Like the person who’s in there doesn’t know the person who’s out there knows they’re in there.”
“Just try and open the door and see if he left it unlocked,” Grady said.
“What if its boobie trapped?” Irwin said.
“I’m not going to tell you to shut up again, Irwin,” Lance said. “Next time I’m just going to put my foot in your ass.”
Grady marched between the two men, opened the screen door and grabbed the doorknob. He turned it and it opened. “Told you.”
“It’s a trap,” Makenna said.
“Yeah, well, we’re going in.” Grady pushed the door open, and Lance and Irwin headed inside. Grady turned and looked at Makenna. Makenna looked at him then at the door. “Get in here.”
Makenna crossed her arms and eyeballed him. Then she followed him inside.
“This place has weird furniture,” Lance said walking over and sprawling on the lips couch. “Not as comfortable as I would have guessed.”
“Cook,” Grady yelled. “We know what you did. Come out here and let’s talk. We saw you drive here. We know you’re trying to make it look like we kidnapped Dupree’s daughter.” The four accountants waited for an answer but all they got was silence.
“He’s hiding,” Lance said.
Makenna stepped up to him. “Let’s get out of here.”
“No.”
“You’re a fool.” Makenna turned and headed for the door.
Lance rushed over and blocked her. “You’re not going anywhere.”
“Did you hear that?” Irwin said.
“I didn’t hear anything—”
“Shh. Everyone shut up and listen.”
“It’s coming from upstairs.”
All the accountants except Makenna headed for the staircase.
“It’s a trap,” she said.
“Cook!” Lance yelled.
Makenna sided up to Grady. “You’re a smart guy. Let’s leave.”
“We’re all going up there, Makenna,” he said.
“Don’t do this.”
“Get going.”
Makenna narrowed her eyes and filed behind Grady. The four accountants headed up the steps. When they reached the second floor, they realized it was dark.
“This place creeps me out,” Irwin said.
“Cook!” Lance yelled down the hallway. But there was no answer. He cocked his head. “Did the music just stop?”
Everyone stopped and listened.
“No, no. I hear it again. Where is that coming from?”
“I think its one floor up,” Grady said. “Let’s go.” The motley crew headed up the stairs to the third floor which was even darker than the last. “There’s got to be a wall switch here somewhere.”
The accountants felt along the walls. “Here it is,” Lance said and flipped the switch. But the lights didn’t go on. “Great. Cook killed the electricity.
“Come on, Cook,” Grady yelled. “We just want to talk to you, man.”
“The music’s getting louder.”
“Maybe it’s because we’re closer to it,” Irwin said.
“I think it’s coming from over there,” Lance said pointing towards the attic door.
“Let’s head towards it and see what’s going on,” Grady said. The accountants headed in the direction of the attic. “This is it alright.” He reached out and felt around the surface of the door and found the knob. He turned it and pushed it open. The inside was as dark as the hallway except for the center of the room. It was lit up like a stage.
“Cook!” Lance called out.
The music stopped. After a beat a moody saxophone jazz started up. The accountants crept towards the lighted middle of the room. Standing there was a mannequin with long feathery red hair wearing a 70’s era disco gown. The gown had crystal beads on it that sparkled in the light.
“Weird,” Lance said.
Soap bubbles started to rise from the back of the figure.
“Weirder,” Irving said.
“Cook,” Grady called out. “Stop with the freakishness and come out here. We want to talk about Fia’s kidnapping and get to the bottom of this whole mess.”
“Look!”
Grady and Lance turned to look at what Irving was pointing to. A large bear had suddenly flopped over the mannequin. It waved its hand at them.
“Cook!” Grady yelled and walked around to the other side, but he found no one.
“Makenna’s right,” Lance said. Let’s just leave. Makenna? Makenna? Where’s Makenna?”
The three of them looked at each other and then around the space. Then they rushed towards the door.
“It’s locked,” Grady said attempting to turn the knob. “Makenna!”
Just then the three of them heard a motor revving up.”
“She’s stealing my minivan!” Grady said.
MY BOOKS
You can check out my books Chicane and all five installments of the Musicology book series Musicology: Volume One, Baby!, Musicology: Volume Two, Kid!, Musicology: Volume Three, Twist!, Musicology: Volume Four, Sweetie! and Musicology: The Epiquad on Amazon in Kindle and Paperback editions. You can also check out Musicology’s web site at www.musicologyrocks.com and vote for who you think will win Musicology!
STREAM OF THE WEEK: MARATHON MAN (1976)-SHOWTIME, PARAMOUNT+
Is it safe? A question that will ring in your ears for days after watching this taunt, tense thriller that keeps its audience on the edge of its seat all the way until its final scene. This is not a traditional Halloween movie, as most Halloween movies these days seem to be squarely in the horror genre. But it is a fantastic study in suspense and a unique kind of cold-blooded terror. The picture is directed by John Schlesinger and written by William Golden based on his book of the same name.
Thomas “Babe” Levy (Dustin Hoffman) is a graduate student at Columbia University working on his post graduate history thesis. He is trying to help clear his father’s name. His father’s career was ruined by scandal involving the McCarthy hearings which caused Babe’s father to commit suicide. Babe is also an aspiring marathon runner who idolizes Jesse Owens and runs every day trying to beat his time. One day while studying at the library he meets another student Elsa Opal (Marthe Keller) who he believes is Swiss and falls in love with her.
Meanwhile in Paris, a CIA agent named Henry “Doc” Levy (Roy Scheider) realizes he and his fellow agents have become targets for an assassin. Doc is one of those guys with a particular set of skills. He confides in his friend, fellow agent Janeway (William Devane) about his concerns, especially after an assassin breaks into his hotel room.
And elsewhere, down in Paraguay a former Nazi and dentist named Dr. Christian Szell (Lawrence Olivier) also known as the “White Angel of Auschwitz” finds he must come out of hiding to protect his fortune after his brother is killed in a car accident in NYC.
How these three stories fit together is the premise for a genuinely disturbing story produced by The Kid Stays in the Picture himself, Robert Evans.