Good morning. It is I Gigi the parti poodle here to introduce my blog. Let me tell you this has been a most harrowing week. Every year the most hostile of events happens: Dental Day. Dental Day is where I am suddenly snatched off my novelist’s comfortable mattress at some unholy morning hour, put in my novelist’s car, forced to hear her growl and literally scream at traffic whilst I am driven in terror to the vet’s. Whilst there, I am set on a cold hard counter while the nurse gives my novelist a breakdown of the procedure. This stranger then takes me out of my novelist’s arms into a dreadful back room where my gorgeous front leg is shaved, a needle is painfully stuck into it, and after a while everything slowly goes dark.
When I come to, the nurse who took me into the land of horrors, is enthusiastically petting me. I slowly realize I am incarcerated, lying on a towel in some sort of stark minimalist cage. I have no idea what has happened or where I’ve been and my mouth feels like a feral kitten was shoved inside. There is numbness in the back of my jaw. I can feel the film of some gel on my eyeballs of all places, and I can hardly keep my lids open. My novelist is nowhere to be found. I lie there, groggy, terrified, and alone. If that isn’t shocking enough, suddenly, a plastic tube I didn’t realize was shoved down my throat is pulled out. Half the day has somehow gone by.
Then somewhere, sometime later, maybe in the midafternoon I am taken back to the room where it all began, and my novelist is there waiting for me. I have no idea how to respond. The creaky whining sounds I make seem foreign and I am confused. I just want her to hold me and get me out of this prison. She carries me as…Him pays them, pays them, mind you, for torturing me! My novelist carries me out to the car and sets me on a blanket on her lap. She holds me till we get home. She is most gingerly with me, no longer the maniac who screamed and yelled at traffic that morning. After we get out of the car, I retire to the office and collapse on my pillow near the window. I stay there most of the day sad, groggy, confused and in pain. I refuse to eat, refuse to leave the office until bedtime when my novelist puts me on the bed, opens my mouth and injects some sort of liquid between my teeth and I find some sort of relief from the pain and fall asleep. At least Dental Day is over for another 363 days. I shall try to forget about it for now and hope I am not emotionally traumatized. Until next week, I bid you adieu.
MY BOOKS
You can check out my books Chicane and all five installments of the Musicology book series Musicology: Volume One, Baby!, Musicology: Volume Two, Kid!, Musicology: Volume Three, Twist!, Musicology: Volume Four, Sweetie! and Musicology: The Epiquad on Amazon in Kindle and Paperback editions. You can also check out Musicology’s web site at www.musicologyrocks.com and vote for who you think will win Musicology!
STREAM OF THE WEEK: THE SUBSTANCE (2024)-HBO MAX
Just in time for Halloween, this highly imaginative, highly innovative film is finally streaming on HBO Max. If you haven’t seen it yet, you really should. Inches from perfection this is a phenomenal tightly put together stunner of a movie that would have made Stanley Kubrick proud. Brilliantly and meticulously directed and written by Coralie Fargeat, had the third act starting with the moments after Sue’s bathroom scene up until its brilliant last shot been less over the top it would have been a masterpiece. Someone should have figured out at some point that this was no longer a horror film but rather a work of art and gone less for comical gruesomeness during the climax and more for a poignant message. Had that happened, it would have been the best film of the year and one of the best for years to come.
Exercise celebrity Elizabeth Sparkle (Demi Moore in a fearless well-deserved Oscar nominated and Golden Globe winning performance) is great at her job. Except that she has hit her fifties. Her producer Harvey (Dennis Quaid who is deliciously vicious here) wants a newer, younger star. He callously takes her to lunch on her birthday and fires her over a large bowl of shrimp. Understandably upset, Elizabeth gets into a car wreck shortly after and meets a young handsome Male Nurse (Robin Grier) who slips her a note in her coat pocket with a USB file for The Substance, a way to a younger better self. Skeptical at first, Elizabeth throws the drive into the trash. But upon finding out there is an audition for someone to take her place, she recovers the drive and decides to go through with it. She contacts The Substance (voiced by Yann Bean) who provides her with an address. Shortly after, she receives a small package in the mail. Inside is a keycard with a number on it in bold print.
Heading to a sketchy part of LA and into some sort of hidden doorway that only opens halfway, Elizabeth finds a rather modern small facility where a locker matching her keycard number has a package in it. She takes the package home, opens it and follows the instructions. This DNA kit leads to the birth, as it were, of Sue (Margret Qualley, in a stunning performance that for some inexplicable reason did not garner her a Supporting Actress Oscar nomination) a younger version of herself and from that point on, chaos begins.
The film rightly won an Oscar for Best Achievement in Makeup and Hairstyling for Pierre Olivier Persin, Stéphanie Guillon, and Marilyne Scarselli.