Good afternoon. It is I Gigi the parti poodle here to introduce this week’s…alright, places everyone! Places!
“I can’t remember where I was last time. I can’t remember where I was.”
Calm down, Ruffles. You had just knocked the woman in the silk camo dress to the floor and commenced to stand on top of her as the cats surrounded her and growled.
“Oh, yes. That’s right. Yes, that’s right.”
“I have no intention of being knocked to the floor again. I’ll just lie down on the van floor.”
That works just fine, woman in the camo dress. Alright, Charlotte. Are you ready?
“Just a second. I need to get into character.”
“You’ve had two weeks to get back into character.”
“Oh, do shut up would you, Bruiser.”
“Just because you studied method acting, Charlotte, it doesn’t give you the right to judge the rest of us.”
“Can we just get this over with, little dog? I came out of retirement to play this part.”
“Tell me, woman in the olive trench coat, were you a method actor?”
“What’s your name again, little dog?”
“Bruiser.”
“Well, Bruiser, I’ve studied several types of acting methods: the Stanislavsky System, the Meisner Technique, the Adler Technique, the Chekhov Technique, and practical techniques from David Mammet and William H. Macy.”
“I suppose you think that makes you special.”
“Yes, actually, I do.”
“Gigi, what do you mean by “the cats surrounded her and growled”? I find that vague. I feel like I need better motivation here.”
It means exactly what it says, Demeter. You, your sister Artemis, Madeline, and Edison surround the woman in the olive trench coat who is trying to buy cats on the black market. Together you want to show her you are mad, and you mean business.
“There are many ways a cat can convey that they mean business. We can flatten our ears, we can puff our tails, we can flick or thump our tails on the ground. I feel we need a bit more direction here.”
“I agree with my sister, Demeter. We have other options here.”
Alright, Artemis. Fine. You can growl, hiss, and do all those things. Whatever feels natural to you.
“I want to say for the record I was already flattening my ears when I growled.”
Thank you for your fortitude, Madeline. If you’re growling as well as flattening your ears or any other cat gestures, I am fine with it.
“What if I decide I want to reach out and scratch the woman in the olive trench coat?”
That is not an acceptable motivation, Edison. You might end up scratching Charlotte instead.
“I refuse to get scratched. If you scratch me…”
No one is going to scratch you, Charlotte. That’s why we’ve done all the blocking.
“Gigi, why don’t I have any lines?”
I’m sorry, Belle. I will look over the script and see if I can write a couple of lines for you.
“Thank you, Gigi. I appreciate you looking out for my little sister.”
You’re welcome, Bernard. Are we all ready now?
“Yes!”
Fantastic, we’ll take it from here next week. And to you, dear reader, I bid you adieu.
MY BOOKS
You can check out my books Chicane and all five installments of the Musicology book series Musicology: Volume One, Baby!, Musicology: Volume Two, Kid!, Musicology: Volume Three, Twist!, Musicology: Volume Four, Sweetie! and Musicology: The Epiquad on Amazon in Kindle and Paperback editions. You can also check out Musicology’s web site at www.musicologyrocks.com and vote for who you think will win Musicology!
STREAM OF THE WEEK: BLOW OUT (1981)-TUBI & ROKU CHANNEL
This week’s feature is a fantastic neo-noir mystery thriller film from Brian DePalma who wrote the script with Bill Mesce Jr. The movie is based on the 1966 French film classic Blow Up directed and co-written by Michelangelo Antonioni which was based on the short story “Las babas del diablo” by Julio Florencio Cortázar. The title essentially means “the devil’s drool”. The short story is about an amateur photographer who believes he has taken a photo of a sinister act between a middle-aged female prostitute and a teenaged boy. Blow Out was praised for DePalma’s imaginative direction, Vilmos Zsigmond’s fantastic cinematography and John Travolta and Nancy Allen’s excellent performances.
Jack Terry (John Travolta) is a sound technician for low budget slasher films. His most recent outing is called Co-Ed Frenzy in which a knife wielding psychopath is stalking a house of college girls. When he reaches the naked girl in the shower, the actress’s scream is less than convincing. Jack’s longtime business partner, producer Sam (Peter Boyden) asks Jack to find an actress who can scream convincingly and to go out and record better sounds of ominous wind.
Jack packs up his equipment and heads out to a nearby park at night. He stands on a bridge and begins filming the wind. He also hears a couple on a second bridge below, a frog croaking, and an owl hooting. As he is recording a car comes barreling down the road below. Suddenly, Jack hears a bang and then the car drives off the road and into the lake. He sets down his equipment and hurries down to the lake as a man under the bridge named Manny Karp (Denni Franz) runs away. Jack dives into the lake where he finds the car. The driver, a man in a suit is dead, but in the driver’s seat a young woman named Sally Bedina (Nancy Allen) is still alive. Jack rescues Sally and takes her to the emergency room. He is surprised when the dead man in the car turns out to be presidential hopeful, Governor George McRyan.
As the press storms the hospital, Jack is first interviewed by Detective Mackey (John Aquino). Jack says he heard a bang before the car went off the bridge as opposed to a blow out of a car tire. Jack is then approached by Lawrence Henry (John McMartin), an associate of McRyan. Henry explains that Sally was an escort for the deceased governor and the governor was a family man. He tells Jack to get himself and Sally out of the hospital to avoid the deceased governor’s family public embarrassment. Suspecting foul play, Jack returns to his studio and studies the audio tapes he made of that night, slowly realizing that the situation is more sinister than he imagined.
In the meantime, the city finds itself in another crisis involving a serial killer named the Liberty Bell Strangler (John Lithgow) who has been murdering young women around town.
Gigi Catches Air 