The Bunny Cometh

Good evening. It is I Gigi the parti poodle here to introduce this week’s blog. As you may remember Artemis and I headed downstairs to the basement where we heard a sound on the other side of the door. Artemis said, “I’d know that meow anywhere!” I leaned in and we both listened closely. She was correct. It was Madeline the British Shorthair’s meow.

“Madeline, are you alright?” Artemis said. “We’re here to rescue you.”

Then I heard a different familiar meow.

“Edison, is that you?”

He meowed again.

“We are coming to rescue you too, Edison. Artemis, we must find a chair to climb up on and pick the lock so that—”

“Hello.”

Artemis and I whipped around to find Bernard D. Bunny sitting behind us.

“Bernard!” I said surprised. “What are you doing here?”

“I’ve come to tell you something.”

“Wait,” Artemis said, a perplexed look on her face. “This isn’t in the script. You aren’t supposed to be in this scene.”

“You say Easter. I say Bunny.”

“What?”

“Bernard,” I said with a huff. “This isn’t funny. We’re trying to tell a story here.”

“You say Easter. I say Bunny.”

Artemis turned to me and whispered. “I don’t understand. We didn’t rehearse this. She pulled out her script and showed it to me. “Do you see? Bernard is not in this scene and “You say Easter, I say Bunny” is not on the page.”

“You say Easter. I say Bunny.”

“Do I need to call my agent?”

“You say Easter. I say Bunny.”

“Easter!” Edison shouted from the other side of the door.

“Bunny!” Bernard shouted back. “You say Easter. I say Bunny.”

“Easter!” Madeline shouted from the other side of the door.

“Bunny! You say Easter, I say Bunny.”

“I am fed up with doing this every year,” I told him. “I am not going through this again.”

“Easter.”

“No.”

“Easter.”

“Bernard—”

“Bunny,” Artemis said.

I turned to her. “Seriously?”

She shrugged. “Sometimes it’s good to go off script.”

Bernard put on a pair of Ray Ban Wayfarers. “You say Easter, I say Bunny.”

“Easter!” Everyone said but I.

“Bunny!”

“Easter!”

“Bunny!”

“Easter!”

“Bunny!”

Bernard pointed at me with his front paw. “You say Easter, I say Bunny.”

“This is absurd! We’re in the middle of an important plot advancing scene here.”

“You say Easter, I say Bunny.”

“For crying out loud, Bernard.”

“You say Easter, I say Bunny.”

“No.”

“Bunny.”

“Not a chance.”

“Bunny.”

“Ugh! Fine. Easter.”

“Bunny!”

“Easter.”

“Bunny!”

“Easter!”

“Bunny! Stage Dive!”

It was at this point that Bernard jumped up, his back feet forwards, sailed through the air, and kicked in the door. Artemis and I stared in shock at what we saw before us. Until next week Happy Easter and I bid you adieu.

MY BOOKS

You can check out my books Chicane and all five installments of the Musicology book series Musicology: Volume One, Baby!Musicology: Volume Two, Kid!Musicology: Volume Three, Twist!Musicology: Volume Four, Sweetie! and Musicology: The Epiquad on Amazon in Kindle and Paperback editions. You can also check out Musicology’s web site at www.musicologyrocks.com and vote for who you think will win Musicology!

STREAM OF THE WEEK: HIGH POTENTIAL (2024)-HULU

As spring break season is in full gear, I thought this would be a good week to feature a fantastic streamer that’s as fun and smart as it is addictive. Based on the Franco Belgian series Haut Potentiel Intellectuel (HPI) which is also streaming on Hulu, is show is a whodunit comedy mystery about a mother of three with a 160 IQ and HIP or high intelligence potential, a condition found in people with an IQ over 130 where they have significantly enhanced cognitive abilities. Her name is Morgan Gillory (played by the always likable Kaitlin Olson) who cannot seem to find her place in the world due to her unusual gifts which sometimes affect her concentration. She had gone from dead end job to dead end job with her most recent being a janitor working at the L.A.P.D. police department.

One night, as she is cleaning, she happens to notice the department’s crime board. Upon studying it she quickly realizes the board needs to be changed to crack the case. She makes the necessary adjustments and goes back to cleaning.

The next day detectives Adam Karadec (Daniel Sunjata), Daphne Forrester (Javicia Leslie), Lev “Oz” Özdil (Deniz Akdeniz) and their head of department Selena Soto (Judy Reyes) find their case board has been tampered with. After reviewing the security footage, they found out their night janitor Morgan was the one responsible. Karadec and Özdil head over to Morgan’s house and bring her in for questioning and detain her. They tell her that tampering with a crime board is a serious offense. Karadec is skeptical but Soto is intrieged. They release Morgan after Forrester does a little research to find Morgan is correct on her reasoning of the evidence. The release Morgan who meets her ex-husband the sweet and unflappable Ludo Radovic (Taran Killam) who is the father or their whip-smart son Elliot (Matthew Lamb) and their newborn daughter. Morgan manages to get into an argument with a couple of officers on the way out of the precinct and ends up back in the holding cell.

Soto gets her out of the incident and asks her to work with the no nonsense Karadec as his partner, an arrangement Karadec is less than happy about. But as they begin to work together the two discover they make a better team than each of them originally envisioned.

Rounding out the cast is Amirah J as Ava Sinquerra, Morgan’s daughter from a previous marriage in which her artist husband Roman Sinquerra, who went missing when Ava was a baby.

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